| A History of Buchla's Musical Instruments | | BIB | PDF | 1 | |
| Don Buchla | |||
| A Personal Chronology of Audiovisual Systems Research | | BIB | PDF | 2-3 | |
| Golan Levin | |||
| Causality and Striking the Right Note | | BIB | PDF | 4 | |
| William Buxton | |||
| Not Hyper, Not Meta, Not Cyber but Infra-Instruments | | BIB | PDF | 5-10 | |
| John Bowers; Phil Archer | |||
| Experiments with Virtual Reality Instruments | | BIB | PDF | 11-16 | |
| Teemu Mäki-Patola; Aki Kanerva; Juha Laitinen; Tapio Takala | |||
| "iltur" -- Connecting Novices and Experts Through Collaborative Improvisation | | BIB | PDF | 17-22 | |
| Gil Weinberg; Scott Driscoll | |||
| Multi-user Instruments: Models, Examples and Promises | | BIB | PDF | 23-26 | |
| Sergi Jordà | |||
| The Convergence of Alternate Controllers and Musical Interfaces in Interactive Entertainment | | BIB | PDF | 27-33 | |
| Tina Blaine | |||
| The Overtone Violin | | BIB | PDF | 34-37 | |
| Dan Overholt | |||
| SCUBA: The Self-Contained Unified Bass Augmenter | | BIB | PDF | 38-41 | |
| Juan Pablo Cáceres; Gautham J. Mysore; Jeffrey Treviño | |||
| Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel | | BIB | PDF | 42-45 | |
| Elliot Sinyor; Marcelo M. Wanderley | |||
| The Smart Controller Workbench | | BIB | PDF | 46-49 | |
| Angelo Fraietta | |||
| A Large-Scale Networked Robotic Musical Instrument Installation | | BIB | PDF | 50-55 | |
| Eric Singer | |||
| Teabox: A Sensor Data Interface System | | BIB | PDF | 56-59 | |
| Jesse T. Allison; Timothy A. Place | |||
| Learning Advanced Skills on New Instruments (or practising scales and arpeggios on your NIME) | | BIB | PDF | 60-64 | |
| Sageev Oore | |||
| Orb3 -- Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces | | BIB | PDF | 65-69 | |
| Dan Livingstone; Eduardo Reck Miranda | |||
| Scrubber: An Interface for Friction-induced Sounds | | BIB | PDF | 70-75 | |
| Georg Essl; M. Sile O'Modhrain | |||
| Wireless Dance Control: PAIR and WISEAR | | BIB | PDF | 76-79 | |
| Peter Swendsen; David Topper | |||
| McBlare: A Robotic Bagpipe Player | | BIB | PDF | 80-84 | |
| Roger B. Dannenberg; Ben Brown; Garth Zeglin; Ron Lupish | |||
| MnM: a Max/MSP mapping toolbox | | BIB | PDF | 85-88 | |
| Frédéric Bevilacqua; Remy Muller; Norbert Schnell | |||
| A Graphical Interface for Intuitive Signal Routing | | BIB | PDF | 89-92 | |
| Jean-Marc Pelletier | |||
| Frequency Content of Breath Pressure and Implications for Use in Control | | BIB | PDF | 93-96 | |
| Gary P. Scavone; Andrey R. da Silva | |||
| Tangible Acoustic Interfaces and their Applications for the Design of New Musical Instruments | | BIB | PDF | 97-100 | |
| Alain Crevoisier; Pietro Polotti | |||
| The Metasurface: Applying Natural Neighbour Interpolation to Two-to-Many Mapping | | BIB | PDF | 101-104 | |
| Ross Bencina | |||
| On the Use of Flute Air Jet as A Musical Control Variable | | BIB | PDF | 105-108 | |
| Andrey R. da Silva; Marcelo M. Wanderley; Gary P. Scavone | |||
| Sound and music control using haptic and visual feedback in the PHASE installation | | BIB | PDF | 109-114 | |
| Xavier Rodet; Jean-Philippe Lambert; Roland Cahen; Thomas Gaudy; Florian Gosselin; Fabrice Guedy; Pascal Mobuchon | |||
| Sounds from Shapes: Audiovisual Performance with Hand Silhouette Contours in The Manual Input Sessions | | BIB | PDF | 115-120 | |
| Golan Levin; Zachary Lieberman | |||
| HandySinger: Expressive Singing Voice Morphing using Personified Hand-puppet Interface | | BIB | PDF | 121-126 | |
| Tomoko Yonezawa; Noriko Suzuki; Kenji Mase; Kiyoshi Kogure | |||
| Sonification of Facial Actions for Musical Expression | | BIB | PDF | 127-131 | |
| Mathias Funk; Kazuhiro Kuwabara; Michael J. Lyons | |||
| Voice-controlled plucked bass guitar through two synthesis techniques | | BIB | PDF | 132-135 | |
| Jordi Janer | |||
| Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design | | BIB | PDF | 136-139 | |
| Paul D. Lehrman | |||
| The [hid] toolkit: a unified framework for instrument design | | BIB | PDF | 140-143 | |
| Hans-Christoph Steiner | |||
| User Interface Comparison for Virtual Drums | | BIB | PDF | 144-147 | |
| Teemu Mäki-Patola | |||
| GoingPublik: Using Realtime Global Score Synthesis | | BIB | PDF | 148-151 | |
| Arthur Clay; Thomas M. Frey; Jürg Gutknecht | |||
| Connecting strangers at a train station | | BIB | PDF | 152-155 | |
| Ole Gregersen; Lars Pellarin; Jakob Olsen; Niels Böttcher; Michel Guglielmi; Stefania Serafin | |||
| Pocket Gamelan: a Pure Data interface for java phones | | BIB | PDF | 156-159 | |
| Greg Schiemer; Mark Havryliv | |||
| Sustainable: a dynamic, robotic, sound installation | | BIB | PDF | 160-163 | |
| David Birchfield; David Lorig; Kelly Phillips | |||
| CyberSong | | BIB | PDF | 164-167 | |
| Paulo Maria Rodrigues; Luís Miguel Girão; Rolf Gehlhaar | |||
| boomBox | | BIB | PDF | 168-171 | |
| Jamie Allen | |||
| The Wahwactor: A Voice Controlled Wah-Wah Pedal | | BIB | PDF | 172-175 | |
| Alex Loscos; Thomas Aussenac | |||
| Location33: A Mobile Musical | | BIB | PDF | 176-179 | |
| William B. Carter; Leslie S. Liu | |||
| Bangarama: Creating Music with Headbanging | | BIB | PDF | 180-183 | |
| Laszlo Bardos; Stefan Korinek; Eric Lee; Jan Borchers | |||
| Network Latency Adaptive Tempo in the Public Sound Objects System | | BIB | PDF | 184-187 | |
| Alvaro Barbosa; Jorge Cardoso; Gunter Geiger | |||
| Pin&Play&Perform: A rearrangeable tangible interface for musical composition and performance | | BIB | PDF | 188-191 | |
| Nicolas Villar; Adam Lindsay; Hans-Werner Gellersen | |||
| Towards a Dimension Space for Musical Artifacts | | BIB | PDF | 192-195 | |
| David Birnbaum; Rebecca Fiebrink; Joseph Malloch; Marcelo M. Wanderley | |||
| Yeah, ChucK It! => Dynamic, Controllable Interface Mapping | | BIB | PDF | 196-199 | |
| Ge Wang; Ananya Misra; Ajay Kapur; Perry R. Cook | |||
| A Comparison of Sensor Strategies for Capturing Percussive Gestures | | BIB | PDF | 200-203 | |
| Adam R. Tindale; Ajay Kapur; George Tzanetakis; Peter F. Driessen; W. Andrew Schloss | |||
| The Role of Time in Engineering Computer Music Systems | | BIB | PDF | 204-207 | |
| Eric Lee; Jan Borchers | |||
| Spinner: A Simple Approach to Reconfigurable User Interfaces | | BIB | PDF | 208-211 | |
| Shigeru Kobayashi; Masayuki Akamatsu | |||
| ixi software: The Interface as Instrument | | BIB | PDF | 212-215 | |
| Thor Magnusson | |||
| Toward Direct Brain-Computer Musical Interfaces | | BIB | PDF | 216-219 | |
| Eduardo Reck Miranda; Andrew Brouse | |||
| Using Music to Interact with a Virtual Character | | BIB | PDF | 220-223 | |
| Robyn Taylor; Daniel Torres; Pierre Boulanger | |||
| ESP: A Driving Interface for Expression Synthesis | | BIB | PDF | 224-227 | |
| Elaine Chew; Alexandre R. J. François; Jie Liu; Aaron Yang | |||
| On interface expressivity: A player based study | | BIB | PDF | 228-231 | |
| Cornelius Poepel | |||
| REMUPP -- An Interactive Tool for Investigating Musical Properties and Relations | | BIB | PDF | 232-235 | |
| Johnny Wingstedt; Mats Liljedahl; Stefan Lindberg; Jan Berg | |||
| Real-Time Performance Controllers for Synthesized Singing | | BIB | PDF | 236-237 | |
| Perry R. Cook | |||
| Musical Score Generation in Valses and Etudes | | BIB | PDF | 238-239 | |
| David Kim-Boyle | |||
| Real-Time Generation of Music Notation via Audience Interaction Using Python and GNU Lilypond | | BIB | PDF | 240-241 | |
| Kevin C. Baird | |||
| SoniMime: Movement Sonification for Real-Time Timbre Shaping | | BIB | PDF | 242-243 | |
| Jesse Fox; Jennifer Carlile | |||
| Precise Control on Compound Curves | | BIB | PDF | 244-245 | |
| Robert Huott | |||
| Beat Boxing: Expressive Control for Electronic Music Performance and Musical Applications | | BIB | PDF | 246-247 | |
| Damondrick Jack; Robert Lugo | |||
| The Airstick: A Free-Gesture ControllerUsing Infrared Sensing | | BIB | PDF | 248-249 | |
| Ivan Franco | |||
| OROBORO: A Collaborative Bi-Manual Controller with Interpersonal Haptic Feedback | | BIB | PDF | 250-251 | |
| Jennifer Carlile; Björn Hartmann | |||
| VIFE _alpha v.01: Real-time Visual Sound Installation performed by Glove-Gesture | | BIB | PDF | 252-253 | |
| David Rodriguez; Ivan Rodriguez | |||
| Sonictroller | | BIB | PDF | 254-255 | |
| David Hindman; Spencer Kiser | |||
| Haptic Music Exercises | | BIB | PDF | 256-257 | |
| William Verplank | |||
| Multiple-Touch-Sensitive Keyboard | | BIB | PDF | 258-259 | |
| John Eaton; Bob Moog | |||
| Smart Controller / Bell Garden Demo | | BIB | PDF | 260-261 | |
| Angelo Fraietta | |||
| Swayway MIDI Chimes | | BIB | PDF | 262-263 | |
| Mauricio Melo; Doria Fan | |||
| Bubbaboard and Mommaspeaker: Creating Digital Tonal Sounds from an Acoustic Percussive Instrument | | BIB | PDF | 264-265 | |
| Derek Wang | |||
| The WiSe Box: a Multi-performer Wireless Sensor Interface using WiFi and OSC | | BIB | PDF | 266-267 | |
| Emmanuel Fléty | |||
| Soundstone: A 3-d wireless music controller | | BIB | PDF | 268-269 | |
| Adam Bowen | |||
| Intrium | | BIB | PDF | 270 | |
| Alain Guisan | |||
| Contemplace | | BIB | PDF | 271 | |
| Eric Socolofsky | |||
| Mocean | | BIB | PDF | 272 | |
| Maia Marinelli; Jared Lamenzo; Liubo Borissov | |||
| HotStepJunk | | BIB | PDF | 273 | |
| Seiichiro Matsumura | |||
| Echology | | BIB | PDF | 274 | |
| Meghan Deutscher; Sidney Fels; Reynald Hoskinson; Sachiyo Takahashi | |||