| Network Musics -- Play, Engagement and the Democratization of Performance | | BIB | PDF | 3-8 | |
| David Kim-Boyle | |||
| Ten-Hand Piano: A Networked Music Installation | | BIB | PDF | 9-12 | |
| Àlvaro Barbosa | |||
| Large-Scale Mobile Audio Environments for Collaborative Musical Interaction | | BIB | PDF | 13-18 | |
| Mike Wozniewski; Nicolas Bouillot; Zack Settel; Jeremy R. Cooperstock | |||
| Open Sound Control: Constraints and Limitations | | BIB | PDF | 19-23 | |
| Angelo Fraietta | |||
| SMuSIM: a Prototype of Multichannel Spatialization System with Multimodal Interaction Interface | | BIB | PDF | 24-27 | |
| Matteo Bozzolan; Giovanni Cospito | |||
| Realtime Representation and Gestural Control of Musical Polytempi | | BIB | PDF | 28-33 | |
| Chris Nash; Alan Blackwell | |||
| Towards Idiomatic and Flexible Score-based Gestural Control with a Scripting Language | | BIB | PDF | 34-37 | |
| Mikael Laurson; Mika Kuuskankare | |||
| Enhancing the Visualization of Percussion Gestures by Virtual Character Animation | | BIB | PDF | 38-43 | |
| Alexandre Bouënard; Sylvie Gibet; Marcelo M. Wanderley | |||
| Classification of Common Violin Bowing Techniques Using Gesture Data from a Playable Measurement System | | BIB | PDF | 44-48 | |
| Diana Young | |||
| Slide Guitar Synthesizer with Gestural Control | | BIB | PDF | 49-52 | |
| Jyri Pakarinen; Vesa Välimäki; Tapio Puputti | |||
| An Approach to Instrument Augmentation: the Electric Guitar | | BIB | PDF | 53-56 | |
| Otso Lähdeoja | |||
| Sormina -- a New Virtual and Tangible Instrument | | BIB | PDF | 57-60 | |
| Juhani Räisänen | |||
| Practical Hardware and Algorithms for Creating Haptic Musical Instruments | | BIB | PDF | 61-66 | |
| Edgar Berdahl; Hans-Christoph Steiner; Collin Oldham | |||
| Considering Virtual & Physical Aspects in Acoustic Guitar Design | | BIB | PDF | 67-70 | |
| Amit Zoran; Pattie Maes | |||
| Virtual Intimacy: Phya as an Instrument | | BIB | PDF | 71-76 | |
| Dylan Menzies | |||
| Creating Pedagogical Etudes for Interactive Instruments | | BIB | PDF | 77-80 | |
| Jennifer Butler | |||
| Discourse Analysis Evaluation Method for Expressive Musical Interfaces | | BIB | PDF | 81-86 | |
| Dan Stowell; Mark D. Plumbley; Nick Bryan-Kinns | |||
| HCI Methodology For Evaluating Musical Controllers: A Case Study | | BIB | PDF | 87-90 | |
| Chris Kiefer; Nick Collins; Geraldine Fitzpatrick | |||
| The A20: Musical Metaphors for Interface Design | | BIB | PDF | 91-96 | |
| Olivier Bau; Atau Tanaka; Wendy E. Mackay | |||
| Low Force Pressure Measurement: Pressure Sensor Matrices for Gesture Analysis, Stiffness Recognition and Augmented Instruments | | BIB | PDF | 97-102 | |
| Tobias Grosshauser | |||
| The Development of Motion Tracking Algorithms for Low Cost Inertial Measurement Units | | BIB | PDF | 103-106 | |
| Giuseppe Torre; Javier Torres; Mikael Fernström | |||
| Application of new Fiber and Malleable Materials for Agile Development of Augmented Instruments and Controllers | | BIB | PDF | 107-112 | |
| Adrian Freed | |||
| Transforming Ordinary Surfaces into Multi-touch Controllers | | BIB | PDF | 113-116 | |
| Alain Crevoisier; Greg Kellum | |||
| A Study of Two Thereminists: Towards Movement Informed Instrument Design | | BIB | PDF | 117-121 | |
| Nicholas Ward; Kedzie Penfield; Sile O'Modhrain; Benjamin Knapp | |||
| Towards an Affective Gesture Interface for Expressive Music Performance | | BIB | PDF | 122-127 | |
| Vassilios-Fivos A. Maniatakos; Christian Jacquemin | |||
| Hoppsa Universum -- An Interactive Dance Installation for Children | | BIB | PDF | 128-133 | |
| Anna Källblad; Anders Friberg; Karl Svensson; Elisabet S. Edelholm | |||
| Mappe per Affetti Erranti: a Multimodal System for Social Active Listening and Expressive Performance | | BIB | PDF | 134-139 | |
| Antonio Camurri; Corrado Canepa; Paolo Coletta; Barbara Mazzarino; Gualtiero Volpe | |||
| New Data Structure for Old Musical Open Works | | BIB | PDF | 140-143 | |
| Sergio Canazza; Antonina Dattolo | |||
| An Agent-based System for Robotic Musical Performance | | BIB | PDF | 144-149 | |
| Arne Eigenfeldt; Ajay Kapur | |||
| Elementary Gestalts for Gesture Sonification | | BIB | PDF | 150-153 | |
| Maurizio Goina; Pietro Polotti | |||
| Sonically Augmented Found Objects | | BIB | PDF | 154-157 | |
| Stefano Delle Monache; Pietro Polotti; Stefano Papetti; Davide Rocchesso | |||
| Sonified Motion Flow Fields as a Means of Musical Expression | | BIB | PDF | 158-163 | |
| Jean-Marc Pelletier | |||
| P[a]ra[pra]xis: Poetry in Motion | | BIB | PDF | 164-167 | |
| Josh Dubrau; Mark Havryliv | |||
| Davos Soundscape, a Location Based Interactive Composition | | BIB | PDF | 168-171 | |
| Jan C. Schacher | |||
| uOSC: The Open Sound Control Reference Platform for Embedded Devices | | BIB | PDF | 175-180 | |
| Andrew Schmeder; Adrian Freed | |||
| Addressing Classes by Differentiating Values and Properties in OSC | | BIB | PDF | 181-184 | |
| Timothy Place; Trond Lossius; Alexander R. Jensenius; Nils Peters | |||
| Microphone as Sensor in Mobile Phone Performance | | BIB | PDF | 185-188 | |
| Misra Ananya; Georg Essl; Michael Rohs | |||
| A Mobile Wireless Augmented Guitar | | BIB | PDF | 189-192 | |
| Nicolas Bouillot; Mike Wozniewski; Zack Settel; Jeremy R. Cooperstock | |||
| A Mobile Music Environment Using a PD Compiler and Wireless Sensors | | BIB | PDF | 193-196 | |
| Robert Jacobs; Mark Feldmeier; Joseph A. Paradiso | |||
| Gesture ≈ sound Experiments: Process and Mappings | | BIB | PDF | 197-202 | |
| Ross Bencina; Danielle Wilde; Somaya Langley | |||
| "3rd. Pole" -- A Composition Performed via Gestural Cues | | BIB | PDF | 203-206 | |
| Miha Ciglar | |||
| More DJ Techniques on the reactable | | BIB | PDF | 207-210 | |
| Kjetil F. Hansen; Marcos Alonso | |||
| Developing Block-Movement, Physical-Model Based Objects for the Reactable | | BIB | PDF | 211-214 | |
| Smilen Dimitrov; Marcos Alonso; Stefania Serafin | |||
| Real Time Gesture Learning and Recognition: Towards Automatic Categorization | | BIB | PDF | 215-218 | |
| Jean-Baptiste Thiebaut; Samer Abdallah; Andrew Robertson; Nick Bryan-Kinns; Mark D. Plumbley | |||
| Making of VITESSIMO for Augmented Violin: Compositional Process and Performance | | BIB | PDF | 219-220 | |
| Mari Kimura | |||
| Programming a Music Synthesizer through Data Mining | | BIB | PDF | 221-224 | |
| Jörn Loviscach | |||
| i-Maestro: Technology-Enhanced Learning and Teaching for Music | | BIB | PDF | 225-228 | |
| Kia Ng; Paolo Nesi | |||
| The HOP Sensor: Wireless Motion Sensor | | BIB | PDF | 229-232 | |
| Bart Kuyken; Wouter Verstichel; Frederick Bossuyt; Jan Vanfleteren; Michiel Demey; Marc Leman | |||
| Sensory Chairs: A System for Biosignal Research and Performance | | BIB | PDF | 233-236 | |
| Niall Coghlan; Benjamin Knapp | |||
| Wearable Interfaces for Cyberphysical Musical Expression | | BIB | PDF | 237-240 | |
| Andrew B. Godbehere; Nathan J. Ward | |||
| MusicGlove: A Wearable Musical Controller for Massive Media Library | | BIB | PDF | 241-244 | |
| Kouki Hayafuchi; Kenji Suzuki | |||
| An Elementary Method for Tablet | | BIB | PDF | 245-248 | |
| Michael Zbyszynski | |||
| A Tabletop Waveform Editor for Live Performance | | BIB | PDF | 249-252 | |
| Gerard Roma; Anna Xambó | |||
| Integrated Algorithmic Composition Fluid systems for including notation in music composition cycle | | BIB | PDF | 253-256 | |
| Andrea Valle | |||
| GeoGraphy: a Real-Time, Graph-Based Composition Environment | | BIB | PDF | 257-260 | |
| Andrea Valle | |||
| Multi-Platform Development of Audiovisual and Kinetic Installations | | BIB | PDF | 261-264 | |
| Iannis Zannos | |||
| Performer Model: Towards a Framework for Interactive Performance Based on Perceived Intention | | BIB | PDF | 265-268 | |
| Greg Corness | |||
| Developing an "Antigenous" Art Installation Based on a Touchless Endosystem Interface | | BIB | PDF | 269-272 | |
| Paulo C. Teles; Aidan Boyle | |||
| The 'Suspended Clarinet' with the 'Uncaused Sound': Description of a Renewed Musical Instrument | | BIB | PDF | 273-276 | |
| Silvia Lanzalone | |||
| A Directable Performance Rendering System: Itopul | | BIB | PDF | 277-280 | |
| Mitsuyo Hashida; Yosuke Ito; Haruhiro Katayose | |||
| Designing Ambient Musical Information Systems | | BIB | PDF | 281-284 | |
| William R. Hazlewood; Ian Knopke | |||
| The Elbow Piano: Sonification of Piano Playing Movements | | BIB | PDF | 285-288 | |
| Aristotelis Hadjakos; Erwin Aitenbichler; Max Mühlhäuser | |||
| UnitKeyboard: An Easily Configurable Compact Clavier | | BIB | PDF | 289-292 | |
| Yoshinari Takegawa; Masahiko Tsukamoto | |||
| Eight Years of Practice on the Hyper-Flute: Technological and Musical Perspectives | | BIB | PDF | 293-298 | |
| Cléo Palacio-Quintin | |||
| A Tangible Virtual Vibrating String: A Physically Motivated Virtual Musical Instrument Interface | | BIB | PDF | 299-302 | |
| Edgar Berdahl; Julius O. Smith | |||
| Towards Participatory Design and Evaluation of Theremin-based Musical Interfaces | | BIB | PDF | 303-306 | |
| Christian Geiger; Holger Reckter; David Paschke; Florian Schulz; Cornelius Poepel | |||
| META-EVI Innovative Performance Paths with a Wind Controller | | BIB | PDF | 307-310 | |
| Tomás Henriques | |||
| Database and Mapping Design for Audiovisual Prepared Radio Set Installation | | BIB | PDF | 311-314 | |
| Robin Price; Pedro Rebelo | |||
| Monalisa: "See the Sound, Hear the Image" | | BIB | PDF | 315-318 | |
| Kazuhiro Jo; Norihisa Nagano | |||
| A Turing Test for B-Keeper: Evaluating an Interactive | | BIB | PDF | 319-324 | |
| Andrew Robertson; Mark D. Plumbley; Nick Bryan-Kinns | |||
| Interaction with Tonal Pitch Spaces | | BIB | PDF | 325-330 | |
| Gabriel Gatzsche; Markus Mehnert; Christian Stöcklmeier | |||
| Real-Time Raag Recognition for Interactive Music | | BIB | PDF | 331-334 | |
| Parag Chordia; Alex Rae | |||
| Bending Common Music with Physical Models | | BIB | PDF | 335-338 | |
| Anders Vinjar | |||
| Scoring an Interactive, Multimedia Performance Work | | BIB | PDF | 339-342 | |
| Margaret Schedel; Alison Rootberg; Elizabeth de Martelly | |||
| Rhythmic Instruments Ensemble Simulator Generating Animation Movies Using Bluetooth Game Controller | | BIB | PDF | 345-346 | |
| Ayaka Endo; Yasuo Kuhara | |||
| Stage-Worthy Sensor Bows for Stringed Instruments | | BIB | PDF | 347-348 | |
| Keith A. McMillen | |||
| Plink Jet | | BIB | PDF | 349-351 | |
| Lesley Flanigan; Andrew Doro | |||
| Oto-Shigure: An Umbrella-Shaped Sound Generator for Musical Expression | | BIB | PDF | 352-353 | |
| Yusuke Kamiyama; Mai Tanaka; Hiroya Tanaka | |||
| The Pond: Interactive Multimedia Installation | | BIB | PDF | 354-355 | |
| Sean Follmer; Chris Warren; Adnan Marquez-Borbon | |||
| Swing Set: Musical Controllers with Inherent Physical Dynamics | | BIB | PDF | 356-357 | |
| Ethan Hartman; Jeff Cooper; Kyle Spratt | |||
| Video Based Recognition of Hand Gestures by Neural Networks for the Control of Sound and Music | | BIB | PDF | 358-359 | |
| Paul Modler; Tony Myatt | |||
| beacon: Embodied Sound Media Environment for Socio-Musical Interaction | | BIB | PDF | 360-361 | |
| Kenji Suzuki; Miho Kyoya; Takahiro Kamatani; Toshiaki Uchiyama | |||
| Prototype GO: Wireless Controller for Pure Data | | BIB | PDF | 362-363 | |
| Eva Sjuve | |||
| From Toy to Tutor: Note-Scroller is a Game to Teach Music | | BIB | PDF | 364-365 | |
| Robert Macrae; Simon Dixon | |||
| Gluisax: Bent Leather Band's Augmented Saxophone Project | | BIB | PDF | 366-369 | |
| Stuart Favilla; Joanne Cannon; Tony Hicks; Dale Chant; Paris Favilla | |||
| The Cyclotactor: Towards a Tactile Platform for Musical Interaction | | BIB | PDF | 370-371 | |
| Staas de Jong | |||
| The Musical Synchrotron: Using Wireless Motion Sensors to Study How Social Interaction Affects Synchronization with Musical Tempo | | BIB | PDF | 372-373 | |
| Michiel Demey; Marc Leman; Frederick Bossuyt; Jan Vanfleteren | |||