| EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-Based Music | | BIB | PDF | 3-8 | |
| Cormac Cannon; Stephen Hughes; M. Sile O'Modhrain | |||
| HyperPuja: A Tibetan Singing Bowl Controller | | BIB | PDF | 9-14 | |
| Diana Young; Georg Essl | |||
| THE PIPE: Explorations with Breath Control | | BIB | PDF | 15-18 | |
| Gary P. Scavone | |||
| The STRIMIDILATOR, a String Controlled MIDI-Instrument | | BIB | PDF | 19-23 | |
| Marije A. J. Baalman | |||
| Microcontrollers in Music HCI Instruction -- Reflections on our Switch to the Atmel AVR Platform | | BIB | PDF | 24-29 | |
| Scott Wilson; Michael Gurevich; Bill Verplank; Pascal Stang | |||
| Mixxx: Towards Novel DJ Interfaces | | BIB | PDF | 30-35 | |
| Tue Haste Andersen | |||
| Score Following: State of the Art and New Developments | | BIB | PDF | 36-41 | |
| Nicola Orio; Serge Lemouton; Diemo Schwarz; Norbert Schnell | |||
| Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information | | BIB | PDF | 42-47 | |
| Caroline Traube; Philippe Depalle; Marcelo M. Wanderley | |||
| Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts | | BIB | PDF | 48-53 | |
| Yoichi Nagashima | |||
| Characterizing and Controlling Musical Material Intuitively with Geometric Models | | BIB | PDF | 54-62 | |
| Ali Momeni; David Wessel | |||
| Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)Appearances | | BIB | PDF | 63-69 | |
| Matthew Burtner | |||
| Sonigraphical Instruments: From FMOL to the reacTable* | | BIB | PDF | 70-76 | |
| Sergi Jordà | |||
| Ergonomic Design of a Portable Musical Instrument | | BIB | PDF | 77-82 | |
| Motohide Hatanaka | |||
| Sound Kitchen: Designing a Chemically Controlled Musical Performance | | BIB | PDF | 83-86 | |
| Hiroko Shiraiwa; Rodrigo Segnini; Vivian Woo | |||
| TGarden: Wearable Instruments and Augmented Physicality | | BIB | PDF | 87-90 | |
| Joel Ryan; Christopher Salter | |||
| Duet Musical Companion: Improvisational Interfaces for Children | | BIB | PDF | 91-94 | |
| David Ventura; Kenji Mase | |||
| Force Feedback Gesture Controlled Physical Modelling Synthesis | | BIB | PDF | 95-98 | |
| David M. Howard; Stuart Rimell; Andy Hunt | |||
| Real-time Adaptive Control of Modal Synthesis | | BIB | PDF | 99-103 | |
| Reynald Hoskinson; Kees van den Doel; Sidney Fels | |||
| Playability Evaluation of a Virtual Bowed String Instrument | | BIB | PDF | 104-108 | |
| Diana Young; Stefania Serafin | |||
| Sonic City: The Urban Environment as a Musical Interface | | BIB | PDF | 109-115 | |
| Lalya Gaye; Ramia Mazé; Lars Erik Holmquist | |||
| Designing, Playing, and Performing with a Vision-based Mouth Interface | | BIB | PDF | 116-120 | |
| Michael J. Lyons; Michael Haehnel; Nobuji Tetsutani | |||
| E-mic: Extended Mic-stand Interface Controller | | BIB | PDF | 122-128 | |
| Donna Hewitt; Ian Stevenson | |||
| Contexts of Collaborative Musical Experiences | | BIB | PDF | 129-134 | |
| Tina Blaine; Sidney Fels | |||
| MidiGrid: Past, Present and Future | | BIB | PDF | 135-139 | |
| Andy Hunt; Ross Kirk | |||
| Bimanuality in Alternate Musical Instruments | | BIB | PDF | 140-145 | |
| Loïc Kessous; Daniel Arfib | |||
| An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime | | BIB | PDF | 146-150 | |
| Paul Modler; Tony Myatt; Michael Saup | |||
| Immersion Music: A Progress Report | | BIB | PDF | 151-152 | |
| Teresa Marrin Nakra | |||
| OpenSound Control: State of the Art 2003 | | BIB | PDF | 153-159 | |
| Matthew Wright; Adrian Freed; Ali Momeni | |||
| Gestural Control of Music Using the Vicon 8 Motion Capture System | | BIB | PDF | 161-163 | |
| Christopher Dobrian; Frédéric Bevilacqua | |||
| Why Always Versatile?: Dynamically Customizable Musical Instruments Facilitate Expressive Performances | | BIB | PDF | 164-169 | |
| Kazushi Nishimoto; Chika Oshima; Yohei Miyagawa | |||
| Block Jam: A Tangible Interface for Interactive Music | | BIB | PDF | 170-177 | |
| Henry Newton Dunn; Hiroki Nakano; James Gibson | |||
| The Gluiph: a Nucleus for Integrated Instruments | | BIB | PDF | 180-183 | |
| Sukandar Kartadinata | |||
| Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music | | BIB | PDF | 184-187 | |
| Jean-Michel Couturier; Daniel Arfib | |||
| LEMUR GuitarBot: MIDI Robotic String Instrument | | BIB | PDF | 188-191 | |
| Eric Singer; Kevin Larke; David Bianciardi | |||
| An Interface for Real-time Classification of Articulations Produced by Violin Bowing | | BIB | PDF | 192-196 | |
| Chad Peiper; David Warden; Guy Garnett | |||
| Convolution Brother's Instrument Design | | BIB | PDF | 197-200 | |
| Zack Settel; Cort Lippe | |||
| A Component Model of Gestural Primitive Throughput | | BIB | PDF | 201-204 | |
| Insook Choi | |||
| The Hyper-Flute | | BIB | PDF | 206-207 | |
| Cléo Palacio-Quintin | |||
| SensorBox: Practical Audio Interface for Gestural Performance | | BIB | PDF | 208-210 | |
| Jesse T. Allison; Timothy A. Place | |||
| Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display System | | BIB | PDF | 211-212 | |
| Kevin C. Baird | |||
| Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live Performance | | BIB | PDF | 213-215 | |
| Bill Kleinsasser | |||
| BASIS: A Genesis in Musical Interfaces | | BIB | PDF | 216-217 | |
| Mathew Laibowitz | |||
| Head-Tracking for Gestural and Continuous Control of Parameterized Audio Effects | | BIB | PDF | 218-219 | |
| David Merrill | |||
| Sonic Banana: A Novel Bend-Sensor-Based MIDI Controller | | BIB | PDF | 220-221 | |
| Eric Singer | |||
| Sodaconductor | | BIB | PDF | 222-224 | |
| David Muth; Ed Burton | |||
| EoBody: a Follow-up to AtoMIC Pro's Technology | | BIB | PDF | 225-226 | |
| Emmanuel Fléty; Marc Sirguy | |||
| Dual-Use Technologies for Electronic Music Controllers: A Personal Perspective | | BIB | PDF | 228-234 | |
| Joseph A. Paradiso | |||
| ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers | | BIB | PDF | 235-246 | |
| Claude Cadoz; Annie Luciani; Jean-Loup Florens; Nicolas Castagné | |||