| Man-computer communications and CAI | | BIB | 1-20 | |
| S. Hunka | |||
| The use of WATCMI to implement a structured approach to CAI courseware design | | BIB | 21-28 | |
| B. L. Wills; J. G. Wilson | |||
| Touch sensitive digitizer (TSD) | | BIB | 29-30 | |
| R. Prytula | |||
| A video terminal for interactive graphics | | BIB | 31-44 | |
| N. Burtnyk; P. Carey; K. Steele; M. Wein | |||
| Selection of the most legible matrix characters in computer-man communications | | BIB | 45-52 | |
| C. Y. Suen; M. G. Strobel | |||
| Interactive digitization of sounding values on charts | | BIB | 53-62 | |
| R. Bolton; A. R. Boyle | |||
| GOMADS -- An interactive editing system for hydrographic charts | | BIB | 63-72 | |
| J. L. Kestner; S. R. Oraas | |||
| A data sub-language for casual users | | BIB | 73-82 | |
| I. A. Macleod | |||
| CHOREO: An interactive computer model for choreography | | BIB | 83-92 | |
| G. J. Savage; J. M. Officer | |||
| Interactive graphics as a vehicle for the enhancement of human creativity | | BIB | 93-102 | |
| R. M. Baecker | |||
| Computer graphic aided music composition | | BIB | 103-112 | |
| T. Goldberg; G. F. Schrack | |||
| The characteristics of a standard man-computer interface | | BIB | 113-114 | |
| R. B. Williams | |||
| User template mode for interactive graphics | | BIB | 115-124 | |
| U. G. Lama | |||
| A minimum configuration microprocessor based data acquisition, postprocessing and reporting system | | BIB | 125-158 | |
| P. J. Zsombor-Murray | |||
| A program structure for event-based speech synthesis by rules within a flexible segmental framework | | BIB | 159-172 | |
| D. R. Hill | |||
| Synthesizing British English rhythm -- a structured approach | | BIB | 173-186 | |
| I. H. Witten; A. Smith | |||
| Machine aided analysis and recognition of speech | | BIB | 187-196 | |
| D. C. Levinson | |||
| Application of a multi-purpose computer system with interactive graphics | | BIB | 197-208 | |
| S. J. Kubina; C. W. Trueman; A. Skalina; E. Cerny | |||
| Automated visual representation of linear graphs | | BIB | 209-218 | |
| R. B. Maguire | |||
| Stereo space, shading and shadowing | | BIB | 219-230 | |
| K. S. Andonian; S. Toida | |||
| Interactive graphics for the design of feedback control systems | | BIB | 231-242 | |
| J. M. Wells; W. H. Lehn; W. Podaima | |||
| The dichotomy between market needs and what computerized image processing can provide | | BIB | 243-252 | |
| T. Kasvand | |||
| The computer as an artistic tool -- an attempt to program aesthetic concepts | | BIB | 253-263 | |
| L. Sveinson | |||