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NIME Tables of Contents: 0102030405060708091011121314

NIME 2014: New Interfaces for Musical Expression 2014-06-30

Fullname:NIME 2014: New Interfaces for Musical Expression
Editors:Atau Tanaka; Rebecca Fiebrink; Baptiste Caramiaux; Koray Tahiroğlu
Location:London, England
Dates:2014-Jun-30 to 2014-Jul-04
Standard No:hcibib: NIME14
Papers:179
Links:Conference Home Page | Online Proceedings
  1. Workshops
  2. Papers: Musicianship, Practice-Based Research
  3. Papers: Collaborative Music Making
  4. Sensing and Augmented Instruments
  5. Demos
  6. Posters
  7. Papers: Motion and Gesture
  8. Papers: Musical Interaction Design
  9. Papers: Networked Wireless Systems
  10. Papers: Machine Learning Applied
  11. Demos
  12. Posters
  13. Papers: Audio Applications and Installations
  14. Papers: Interfaces: Development, Deployment, Evaluation
  15. Papers: Robotic and Mechatronic Systems
  16. Demos
  17. Posters
  18. Papers: Tangible Interaction and Interfaces
  19. Panels

Workshops

Interactive Music Notation & Representation BIBAFull-TextCall for Participation 1
  Jean Bresson; Pierre Couprie; Dominique Fober; Yann Gueslin; Richard Hoadley
Practice-based Research and NIMEs BIBAFull-TextWorkshop Website 2
  Ernest Edmonds; Samuel Ferguson; Andrew Johnston
A NIME Primer BIBAKSWYZTQWorkshop Description 3
  Michael Lyons; Sidney Fells
Human Harp BIBAFull-TextWeb Page 4
  Di Mainstone; Adam Stark; Becky Stewart
Learning to Programme Haptic Interactions BIBAFull-TextWorkshop Details 5
  Edgar Berdahl; Alexandros Kontogeorgakopoulos
NIME & Accessibility BIBAPXHPTF 6
  Conor Barry; Nick Bryan-Kinns; Fiore Martin; Oussama Metatla; Sile O'Modhrain; Tony Stockman; Adam Parkinson
Sonic Bikes BIBAFull-Text 7
  Dave Griffiths; Kaffe Matthews
Keyboard Salon: Connecting Instrument Designers and Artistic Practitioners BIBAFull-TextWorkshop Details 8
  Andrew McPherson; Thomas Walther; Xiao Xiao
Musical Metacreation Tutorial (MUME) BIBAFull-TextWorkshop Details 9
  Oliver Bown; Arne Eigenfeldt; Philippe Pasquier

Papers: Musicianship, Practice-Based Research

NIME, Musicality and Practice-led Methods BIBAFull-Text 10
  Owen Green
Hybrid Resonant Assemblages: Rethinking Instruments, Touch and Performance in New Interfaces for Musical Expression BIBAFull-Text 11
  John Bowers; Annika Haas
Examining the Perception of Liveness and Activity in Laptop Music: Listeners' inference about what the performer is doing from the audio alone BIBAFull-Text 12
  Oliver Bown; Renick Bell; Adam Parkinson
Improvising with the Threnoscope: Integrating Code, Hardware, GUI, Network, and Graphic Scores BIBAFull-Text 13
  Thor Magnusson

Papers: Collaborative Music Making

Instrumenting the Interaction: Affective and Psychophysiological Features of Live Collaborative Musical Improvisation BIBATAFVGT 14
  Evan Morgan; Hatice Gunes; Nick Bryan-Kinns
Augmented Stage for Participatory Performances BIBATAKPKL 15
  Dario Mazzanti; Victor Zappi; Darwin Caldwell; Andrea Brogni
Touch Screen Collaborative Music: Designing NIME for Older People with Dementia BIBAFull-Text 16
  Stu Favilla; Sonja Pedell
SoundXY4: Supporting Tabletop Collaboration and Awareness with Ambisonics Spatialisation BIBARIGWPO 17
  Anna Xambó; Gerard Roma; Robin Laney; Chris Dobbyn; Sergi Jordà
Experio: a Design for Novel Audience Participation in Club Settings BIBARIKZQT 18
  Bastiaan van Hout; Luca Giacolini; Bart Hengeveld; Mathias Funk; Joep Frens
TreeQuencer: Collaborative Rhythm Sequencing -- A Comparative Study BIBAFull-Text 19
  Niklas Klügel; Georg Groh; Gerhard Hagerer

Sensing and Augmented Instruments

Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach BIBARIGUOS 20
  Laurel Pardue; Dongjuan Nian; Christopher Harte; Andrew McPherson
The Actuated guitar: Implementation and user test on children with Hemiplegia BIBAFull-Text 21
  Jeppe Larsen; Thomas Moeslund; Dan Overholt
Visualizing Song Structure on Timecode Vinyls BIBAFull-Text 22
  Florian Heller; Jan Borchers
Optical Measurement of Acoustic Drum Strike Locations BIBAFull-Text 23
  Janis Sokolovskis; Andrew McPherson
Techniques in Swept Frequency Capacitive Sensing: An Open Source Approach BIBAFull-Text 24
  Colin Honigman; Jordan Hochenbaum; Ajay Kapur

Demos

BIBFull-Text 25
 

Posters

BIBFull-Text 26
 

Papers: Motion and Gesture

Dynamics in Music Conducting: A Computational Comparative Study Among Subjects BIBAQPZYZB 27
  Alvaro Sarasua; Enric Guaus
Triggering sounds from discrete air gestures: What movement feature has the best timing? BIBAFull-Text 28
  Luke Dahl
The Composing Hand: Musical Creation with Leap Motion and the BigBang Rubette BIBATAFMJL 29
  Daniel Tormoen; Florian Thalmann; Guerino Mazzola
Harmonic Motion: A toolkit for processing gestural data for interactive sound BIBAFull-Text 30
  Tim Murray-Browne; Mark Plumbley
To gesture or not? An analysis of terminology in NIME proceedings 2001-2013 BIBAFull-Text 31
  Alexander Refsum Jensenius

Papers: Musical Interaction Design

Manhattan: End-User Programming for Music BIBAFull-Text 32
  Chris Nash
The Divergent Interface: Supporting Creative Exploration of Parameter Spaces BIBAFull-Text 33
  Robert Tubb; Simon Dixon
A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Mapping and Expressiveness BIBAFull-Text 34
  Sebastian Mealla; Sergi Jordà
Rapid Creation and Publication of Digital Musical Instruments BIBAFull-Text 35
  Charlie Roberts; Matthew Wright; JoAnn Kuchera-Morin; Tobias Hollerer
TrAP: An Interactive System to Generate Valid Raga Phrases from Sound-Tracings BIBATACPXW 36
  Udit Roy; Tejaswinee Kelkar; Bipin Indurkhya
Rich Contacts: Corpus-Based Convolution of Contact Interaction Sound for Enhanced Musical Expression BIBAFull-Text 37
  Diemo Schwarz; Pierre Alexandre Tremblay; Alex Harker

Papers: Networked Wireless Systems

Making the Most of Wi-Fi: Optimisations for Robust Wireless Live Music Performance BIBAFull-Text 38
  Thomas Mitchell; Sebastian Madgwick; Simon Rankine; Geoffrey Hilton; Adrian Freed; Andrew Nix
Simplified Expressive Mobile Development with NexusUI, NexusUp, and NexusDrop BIBARIDWRU 39
  Benjamin Taylor; Jesse Allison; Daniel Holmes; William Conlin; Yemin Oh
Communication, Control, and State Sharing in Collaborative Live Coding BIBAFull-Text 40
  Sang Won Lee; Georg Essl
A Simple Architecture for Server-based (Indoor) Audio Walks BIBAFull-Text 41
  Thomas Resch; Matthias Krebs
Ping-Pong: Musically Discovering Locations BIBAFull-Text 42
  Hyung Suk Kim; Jorge Herrera; Ge Wang
CloudOrch: A Portable SoundCard in the Cloud BIBAFull-Text 43
  Abram Hindle

Papers: Machine Learning Applied

AudioQuilt: 2D Arrangements of Audio Samples using Metric Learning and Kernelized Sorting BIBAFull-Text 44
  Ohad Fried; Zeyu Jin; Reid Oda; Adam Finkelstein
Probabilistic Models for Designing Motion and Sound Relationships BIBARIHYLC 45
  Jules Françoise; Norbert Schnell; Riccardo Borghesi; Frédéric Bevilacqua
Musical Instrument Mapping Design with Echo State Networks BIBAFull-Text 46
  Chris Kiefer
Funky Sole Music: Gait Recognition and Adaptive Mapping BIBARIGSVM 47
  Kristian Nymoen; Sichao Song; Yngve Hafting; Jim Torresen

Demos

BIBRIDYJX 48
 

Posters

BIBFull-Text 49
 

Papers: Audio Applications and Installations

A Morphological Analysis of Audio-Objects and their Control Methods for 3D Audio BIBAFull-Text 50
  Justin Mathew; Stephane Huot; Alan Blum
Evaluating the Perceived Similarity Between Audio-Visual Features Using Corpus-Based Concatenative Synthesis BIBAQPZUBO 51
  Augoustinos Tsiros
CollideFx: A Physics-Based Audio Effects Processor BIBAFull-Text 52
  Chet Gnegy
VOCAL VIBRATIONS: A Multisensory Experience of the Voice BIBAFull-Text 53
  Charles Holbrow; Elena Jessop; Rebecca Kleinberger
Timbre morphing: near real-time hybrid synthesis in a musical installation BIBAFull-Text 54
  Duncan Williams; Eduardo Miranda
Acoustic Localisation as an Alternative to Positioning Principles in Applications presented at NIME 2001-2013 BIBAFull-Text 55
  Dominik Schlienger; Sakari Tervo

Papers: Interfaces: Development, Deployment, Evaluation

Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments BIBAFull-Text 56
  Ian Hattwick; Joseph Malloch; Marcelo Wanderley
Constraining Movement as a Basis for DMI Design and Performance BIBAFull-Text 57
  Giuseppe Torre; Nicholas Ward
Dimensionality and Appropriation in Digital Musical Instrument Design BIBAFull-Text 58
  Victor Zappi; Andrew McPherson
The Prospects For Eye-Controlled Musical Performance BIBASENOVK 59
  Anthony Hornof
Musical Interface Design: An Experience-oriented Framework BIBAFull-Text 60
  Fabio Morreale; Antonella De Angeli; Sile O'Modhrain

Papers: Robotic and Mechatronic Systems

Rasper: a Mechatronic Noise-Intoner BIBAFull-Text 61
  Mo Zareei; Ajay Kapur; Dale A. Carnegie
The Robotic Taishogoto: A New Plug 'n Play Desktop Performance Instrument BIBAFull-Text 62
  Jason Long
Imitation Framework for Percussion BIBAFull-Text 63
  Ozgur Izmirli; Jake Faris
Distributed Control in a Mechatronic Musical Instrument BIBASENVAD 64
  Michael Gurevich
Rhythm Apparatus on Overhead BIBAFull-Text 65
  Christian Faubel

Demos

BIBFull-Text 66
 

Posters

BIBFull-Text 67
 

Papers: Tangible Interaction and Interfaces

Tangible Scores: Shaping the Inherent Instrument Score BIBARIBBNF 68
  Enrique Tomás; Martin Kaltenbrunner
Striso, a compact expressive instrument based on a new isomorphic note layout BIBAFull-Text 69
  Piers Titus van der Torren
SPINE: A TUI Toolkit and Physical Computing Hybrid BIBAFull-Text 70
  Aristotelis Hadjakos; Simon Waloschek
Andante: Walking Figures on the Piano Keyboard to Visualize Musical Motion BIBATAHEVV 71
  Xiao Xiao; Basheer Tome; Hiroshi Ishii

Panels

Gender, Education, Creativity in Digital Music and Sound Art BIBAFull-TextWeb Page 72
  Georgina Born; Kyle Devine; Sally-Jane Norman; Mark Taylor
Moco Panel discussion on Movement and Computing BIBAFull-Text 73
  Frédéric Bevilacqua; Sarah Fdili Alaoui; Jules Françoise; Philippe Pasquier; Thecla Schiphorst