HCI Bibliography Home | HCI Conferences | NIME Archive | Detailed Records | RefWorks | EndNote | Show Abstracts
NIME Tables of Contents: 0102030405060708091011121314

NIME 2010: New Interfaces for Musical Expression 2010-06-15

Fullname:NIME 2010: New Interfaces for Musical Expression
Editors:Kirsty Beilharz; Bert Bongers; Andrew Johnston
Location:Sydney, Australia
Dates:2010-Jun-15 to 2010-Jun-18
Standard No:hcibib: NIME10
Papers:111
Pages:504
Links:Conference Website | Online Proceedings
A Shift Towards Iterative and Open-Source Design for Musical Interfaces BIBPDF 1-6
  Owen Vallis; Jordan Hochenbaum; Ajay Kapur
UnitInstrument: Easy Configurable Musical Instruments BIBPDF 7-12
  Yutaro Maruyama; Yoshinari Takegawa; Tsutomu Terada; Masahiko Tsukamoto
The Loudspeaker as Musical Instrument BIBPDF 13-18
  Jos Mulder
An Ultrasound Based Instrument Generating Audible and Tactile Sound BIBPDF 19-22
  Miha Ciglar
Neurohedron: A Nonlinear Sequencer Interface BIBPDF 23-25
  Ted Hayes
Designing Custom-made Metallophone with Concurrent Eigenanalysis BIBPDF 26-30
  Nobuyuki Umetani; Jun Mitani; Takeo Igarashi
Freepad: A Custom Paper-based MIDI Interface BIBPDF 31-36
  Sungkuk Chun; Andrew Hawryshkewich; Keechul Jung; Philippe Pasquier
Music Programming in Minim BIBPDF 37-42
  John A. Mills; Damien Di Fede; Nicolas Brix
An Epistemic Dimension Space for Musical Devices BIBPDF 43-46
  Thor Magnusson
Investigating the Potential for Shared Agency using Enactive Interfaces BIBPDF 47-50
  A. Baki Kocaballi; Petra Gemeinboeck; Rob Saunders
Cuebert: A New Mixing Board Concept for Musical Theatre BIBPDF 51-56
  Noah Liebman; Michael Nagara; Jacek Spiewla; Erin Zolkosky
Dynamic Interactivity Inside the AlloSphere BIBPDF 57-62
  Charles Roberts; Matthew Wright; JoAnn Kuchera-Morin; Lance Putnam
Creating Meaningful Melodies from Text Messages BIBPDF 63-68
  Florian Alt; Alireza S. Shirazi; Stefan Legien; Albrecht Schmidt; Julian Mennenöh
Epi-thet: A Musical Performance Installation and a Choreography of Stillness BIBPDF 69-71
  Tim Humphrey; Madeleine Flynn; Jesse Stevens
From Mozart to MIDI: A Rule System for Expressive Articulation BIBPDF 72-75
  Tilo Hähnel
Designing Mobile Musical Instruments and Environments with urMus BIBPDF 76-81
  Georg Essl; Alexander Müller
Evolving The Mobile Phone Orchestra BIBPDF 82-87
  Jieun Oh; Jorge Herrera; Nicholas J. Bryan; Luke Dahl; Ge Wang
Mapping Out Instruments, Affordances, and Mobiles BIBPDF 88-93
  Atau Tanaka
Composing For Improvisation with Chaotic Oscillators BIBPDF 94-99
  Mark Havryliv
Beatback: A Real-time Interactive Percussion System for Rhythmic Practise and Exploration BIBPDF 100-105
  Andrew Hawryshkewich; Philippe Pasquier; Arne Eigenfeldt
Style and Constraint in Electronic Musical Instruments BIBPDF 106-111
  Michael Gurevich; Paul Stapleton; Adnan Marquez-Borbon
LUSH: An Organic Eco + Music System BIBPDF 112-115
  Hongchan Choi; Ge Wang
TwinkleBall: A Wireless Musical Interface for Embodied Sound Media BIBPDF 116-119
  Tomoyuki Yamaguchi; Tsukasa Kobayashi; Anna Ariga; Shuji Hashimoto
Expression and Spatial Motion: Playable Ambisonics BIBPDF 120-124
  Joanne Cannon; Stuart Favilla
Contrary Motion: An Oppositional Interactive Music System BIBPDF 125-129
  Nick Collins
Images as Spatial Sound Maps BIBPDF 130-135
  Etienne Deleflie; Greg Schiemer
Relationship-Based Instrument Mapping of Multi-Point Data Streams Using a Trackpad Interface BIBPDF 136-139
  Kevin Schlei
Instrumentalizing Synthesis Models BIBPDF 140-143
  Lonce Wyse; Nguyen D. Duy
scoreLight: Playing with a Human-Sized Laser Pick-Up BIBPDF 144-149
  Alavaro Cassinelli; Yusaku Kuribara; Alexis Zerroug; Masatoshi Ishikawa; Daito Manabe
Disky: a DIY Rotational Interface with Inherent Dynamics BIBPDF 150-155
  Karl Yerkes; Greg Shear; Matthew Wright
Development of the Waseda Saxophonist Robot and Implementation of an Auditory Feedback Control BIBPDF 156-161
  Jorge Solis; Klaus Petersen; Tetsuro Yamamoto; Masaki Takeuchi; Shimpei Ishikawa; Atsuo Takanishi; Kunimatsu Hashimoto
A Pedagogical Paradigm for Musical Robotics BIBPDF 162-165
  Ajay Kapur; Michael Darling
A Robot Musician Interacting with a Human Partner through Initiative Exchange BIBPDF 166-169
  Ye Pan; Min-Gyu Kim; Kenji Suzuki
Introducing L2Ork: Linux Laptop Orchestra BIBPDF 170-173
  Ivika Bukvic; Thomas Martin; Eric Standley; Michael Matthews
MoMu: A Mobile Music Toolkit BIBPDF 174-177
  Nicholas J. Bryan; Jorge Herrera; Jieun Oh; Ge Wang
Sound Bounce: Physical Metaphors in Designing Mobile Music Performance BIBPDF 178-181
  Luke Dahl; Ge Wang
Use the Force (or something) -- Pressure and Pressure -- Like Input for Mobile Music Performance BIBPDF 182-185
  Georg Essl; Michael Rohs; Sven Kratz
Dislocated Sound: A Survey of Improvisation in Networked Audio Platforms BIBPDF 186-191
  Roger Mills
DRILE: An Immersive Environment for Hierarchical Live-Looping BIBPDF 192-197
  Florent Berthaut; Myriam Desainte-Catherine; Martin Hachet
Hey Man, You're Invading my Personal Space! Privacy and Awareness in Collaborative Music BIBPDF 198-203
  Robin Fencott; Nick Bryan-Kinns
Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTD BIBPDF 204-207
  Charles Martin; Benjamin Forster; Hanna Cormick
Evaluating the Subjective Effects of Microphone Placement on Glass Instruments BIBPDF 208-211
  Alexander R. Jensenius; Kjell Tore Innervik; Ivar Frounberg
Glitch Delighter: Lighter's Flame Base Hyper-Instrument for Glitch Music in Burning The Sound Performance BIBPDF 212-216
  Rudolfo Quintas
Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing BIBPDF 217-222
  Andrew McPherson; Youngmoo Kim
Developing a Hybrid Contrabass Recorder Resistances, Expression, Gestures and Rhetoric BIBPDF 223-228
  Cesar M. Grossmann
The Bowed Tube: a Virtual Violin BIBPDF 229-232
  Alfonso P. Carrillo; Jordi Bonada
Multimodal Musician Recognition BIBPDF 233-237
  Jordan Hochenbaum; Ajay Kapur; Matthew Wright
A Left Hand Gesture Caption System for Guitar Based on Capacitive Sensors BIBPDF 238-243
  Enric Guaus; Tan Ozaslan; Eric Palacios; Josep L. Arcos
Support Vector Machine Learning for Gesture Signal Estimation with a Piezo-Resistive Fabric Touch Surface BIBPDF 244-249
  Andrew Schmeder; Adrian Freed
Motion To Gesture To Sound: Mapping For Interactive Dance BIBPDF 250-254
  Jan C. Schacher
Generative Improv. & Interactive Music Project (GIIMP) BIBPDF 255-258
  Ian Whalley
Searching for Cross-Individual Relationships between Sound and Movement Features using an SVM Classifier BIBPDF 259-262
  Kristian Nymoen; Kyrre Glette; Ståle A. Skogstad; Jim Torresen; Alexander R. Jensenius
"VirtualPhilharmony": A Conducting System with Heuristics of Conducting an Orchestra BIBPDF 263-270
  Takashi Baba; Mitsuyo Hashida; Haruhiro Katayose
New Sensors and Pattern Recognition Techniques for String Instruments BIBPDF 271-276
  Tobias Großhauser; Ulf Großekathöfer; Thomas Hermann
Expressive Articulation for Synthetic Music Performances BIBPDF 277-282
  Tilo Hähnel; Axel Berndt
Network Jamming: Distributed Performance using Generative Music BIBPDF 283-286
  Andrew R. Brown
Glass Instruments -- From Pitch to Timbre BIBPDF 287-290
  Ivar Frounberg; Kjell Tore Innervik; Alexander R. Jensenius
A Malleable Interface for Sonic Exploration BIBPDF 291-296
  Chris Kiefer
OSC Virtual Controller BIBPDF 297-302
  Victor Zappi; Andrea Brogni; Darwin Caldwell
Extending the Soundcard for Use with Generic DC Sensors Demonstrated by Revisiting a Vintage ISA Design BIBPDF 303-308
  Smilen Dimitrov
Disembodied and Collaborative Musical Interaction in the Multimodal Brain Orchestra BIBPDF 309-314
  Sylvain Le Groux; Jonatas Manzolli; Paul F. Verschure
Designing Expressive Musical Interfaces for Tabletop Surfaces BIBPDF 315-318
  Jordan Hochenbaum; Owen Vallis; Dimitri Diakopoulos; Jim Murphy; Ajay Kapur
Toward Algorithmic Composition of Expression in Music Using Fuzzy Logic BIBPDF 319-322
  Wendy Suiter
Expressive Wearable Sonification and Visualisation: Design and Evaluation of a Flexible Display BIBPDF 323-326
  Kirsty Beilharz; Andrew Vande Moere; Barbara Stiel; Claudia Calo; Martin Tomitsch; Adrian Lombard
Understanding and Evaluating User Centred Design in Wearable Expressions BIBPDF 327-330
  Jeremiah Nugroho; Kirsty Beilharz
Online Map Interface for Creative and Interactive BIBPDF 331-334
  Sihwa Park; Seunghun Kim; Samuel Lee; Woon Seung Yeo
Analysis of Piano Playing Movements Spanning Multiple Touches BIBPDF 335-338
  Aristotelis Hadjakos; Max Mühlhäuser
Designing a Shareable Musical TUI BIBPDF 339-342
  Sebastian Heinz; Sile O'Modhrain
Visualizations and Interaction Strategies for Hybridization Interfaces BIBPDF 343-347
  Adrian Freed
ANTracks 2.0 -- Generative Music on Multiple Multitouch Devices Categories and Subject Descriptors BIBPDF 348-351
  Björn Wöldecke; Christian Geiger; Holger Reckter; Florian Schulz
Hé: Calligraphy as a Musical Interface BIBPDF 352-355
  Laewoo Kang; Hsin-Yi Chien
The Sponge A Flexible Interface BIBPDF 356-359
  Martin Marier
SurfaceMusic: Mapping Virtual Touch-based Instruments to Physical Models BIBPDF 360-363
  Lawrence Fyfe; Sean Lynch; Carmen Hull; Sheelagh Carpendale
Mechanisms for Controlling Complex Sound Sources: Applications to Guitar Feedback Control BIBPDF 364-367
  Aengus Martin; Sam Ferguson; Kirsty Beilharz
Wireless Sensor Data Collection based on ZigBee Communication BIBPDF 368-371
  Jim Torresen; Eirik Renton; Alexander R. Jensenius
Synchronization of Multimodal Recordings for Musical Performance Research BIBPDF 372-374
  Javier Jaimovich; Benjamin Knapp
POLLEN A Multimedia Interactive Network Installation BIBPDF 375-376
  Giuseppe Torre; Mark O'Leary; Brian Tuohy
Irregular Incurve BIBPDF 377-379
  Xiaoyang Feng
Peacock: A Non-Haptic 3D Performance Interface BIBPDF 380-382
  Chikashi Miyama
Associating Emoticons with Musical Genres BIBPDF 383-386
  Jukka Holm; Harri Holm; Jarno Seppänen
Untouchable Instrument "Peller-Min" BIBPDF 387-390
  Yoichi Nagashima
Ground Me! An Interactive Sound Art Installation BIBPDF 391-394
  Javier Jaimovich
Mmmmm: A Multi-modal Mobile Music Mixer BIBPDF 395-398
  Norma S. Savage; Syed R. Ali; Norma E. Chavez
An Interactive Responsive Skin for Music BIBPDF 399-402
  Chih-Chieh Tsai; Cha-Lin Liu; Teng-Wen Chang
Interactional Sound and Music: Listening to CSCW, Sonification, and Sound Art BIBPDF 403-406
  Nick Bryan-Kinns; Robin Fencott; Oussama Metatla; Shahin Nabavian; Jennifer G. Sheridan
Using IR Optical Marker Based Motion Capture for Exploring Musical Interaction BIBPDF 407-410
  Ståle A. Skogstad; Alexander R. Jensenius; Kristian Nymoen
"playing robot": An Interactive Sound Installation in Human-Robot Interaction Design for New Media Art BIBPDF 411-414
  Benjamin Buch; Pieter Coussement; Lüder Schmidt
Multimodal Guitar: A Toolbox For Augmented Guitar Performances BIBPDF 415-418
  Loïc Reboursière; Christian Frisson; Otso Lähdeoja; John A. Mills; Cécile Picard-Limpens; Todor Todoroff
The GRIP MAESTRO: Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic Music BIBPDF 419-422
  Michael Berger
Sonic Virtual Reality Game: How Does Your Body Sound? BIBPDF 423-426
  Kimberlee Headlee; Tatyana Koziupa; Diana Siwiak
Auditory Masquing: Wearable Sound Systems for Diegetic Character Voices BIBPDF 427-430
  Alex Stahl; Patricia Clemens
The Ghost: An Open-Source, User Programmable MIDI Performance Controller BIBPDF 431-435
  Paul Rothman
Towards a Taxonomy of Realtime Interfaces for Electronic Music Performance BIBPDF 436-439
  Garth Paine
humanaquarium: A Participatory Performance System BIBPDF 440-443
  Robyn Taylor; Guy Schofield; John Shearer; Pierre Boulanger; Jayne Wallace; Patrick Olivier
Interactive Music Studio: The Soloist BIBPDF 444-446
  Hyun-Soo Kim; Je-Han Yoon; Moon-Sik Jung
Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface BIBPDF 447-450
  Pierre Alexandre Tremblay; Diemo Schwarz
Examining the Spectator Experience BIBPDF 451-454
  A. Cavan Fyans; Michael Gurevich; Paul Stapleton
Musical Exoskeletons: Experiments with a Motion Capture Suit BIBPDF 455-458
  Nick Collins; Chris Kiefer; Zeeshan Patoli; Martin White
The Helio: A Study of Membrane Potentiometers and Long Force Sensing Resistors for Musical Interfaces BIBPDF 459-462
  Jim Murphy; Ajay Kapur; Carl Burgin
FerroSynth: A Ferromagnetic Music Interface BIBPDF 463-466
  Stuart Taylor; Jonathan Hook
P[a]ra[pra]xis: Towards Genuine Realtime 'Audiopoetry' BIBPDF 467-468
  Josh M. Dubrau; Mark Havryliv
ImprovGenerator: Online Grammatical Induction for On-the-Fly Improvisation Accompaniment BIBPDF 469-472
  Kris M. Kitani; Hideki Koike
DeviceCycle: Rapid and Reusable Prototyping of Gestural Interfaces, Applied to Audio Browsing by Similarity BIBPDF 473-476
  Christian Frisson; Benoît Macq; Stéphane Dupont; Xavier Siebert; Damien Tardieu; Thierry Dutoit
Reflective Haptics: Resistive Force Feedback for Musical Performances with Stylus-Controlled Instruments BIBPDF 477-478
  Alexander Müller; Fabian Hemmert; Götz Wintergerst; Ron Jagodzinski
Revisiting Cagean Composition Methodology with a Modern Computational Implementation BIBPDF 479-480
  Alison Mattek; Mark Freeman; Eric Humphrey
Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response BIBPDF 481-484
  Sam Ferguson; Emery Schubert; Catherine Stevens
Gesture Controlled Virtual Instrument with Dynamic Vibrotactile Feedback BIBPDF 485-488
  Teemu Ahmaniemi
Creating Integrated Music and Video for Dance: Lessons Learned and Lessons Ignored BIBPDF 489-492
  Jeffrey Hass
Packages for ArtWonk: New Mathematical Tools for Composers BIBPDF 493-496
  Warren Burt
Wiiolin: a Virtual Instrument Using the Wii Remote BIBPDF 497-500
  Jace Miller; Tracy Hammond
The Planets BIBPDF 501-504
  Max Meier; Max Schranner